Download e-book for kindle: AIDS in French Culture: Social Ills, Literary Cures by David Caron
By David Caron
The deluge of metaphors brought on in 1981 in France by way of the 1st public experiences of what might develop into the AIDS epidemic unfold with a long way higher velocity and potency than the virus itself. to appreciate why it took France see you later to react to the AIDS predicament, AIDS in French Culture analyzes the intersections of 3 discourses—the literary, the clinical, and the political—and lines the beginning of French attitudes approximately AIDS again to nineteenth-century anxieties approximately nationhood, masculinity, and sexuality.
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Extra info for AIDS in French Culture: Social Ills, Literary Cures
The particular relevance of this character lies in the fact that he also represents the naturalist novelist within the text; his task is similar to the one Zola assigned to himself. The very first time Bouroche appears in the novel, he delineates immediately everyone’s places and attributions within the heterosexual order he rules. A step-by-step reading of the scene reveals the ideological, hetero-normative frame in which Zola inscribes the figure of the doctor. In the beginning of the passage, the village crowd is left to itself after the departure of the man whose declining authority failed to keep it under control, Marshal MacMahon, commander in chief of the French army.
The task of identifying and excluding the pathological became particularly crucial now that the Other was so close in nature to the Same. There was but a “/” between them. The notion of sexual pathology precisely reveals the fundamental instability of this border, and, therefore, of the whole paradigm. Inventing the Male “Homosexual” Late-nineteenth-century medical science laid a special emphasis on pathologies of the will and of sexuality, both being inextricably linked as they equally threatened the imperviousness of the border, or the bar.
616)] Bouroche’s authority is further suggested by his name—roche or “rock”: Bouroche is solid, unmoved, impassible, in perfect contrast with the confused women. Once inside: With his enormous head, his wiry, bristling hair, his snub-nosed, lion-like face gleaming with energy, and, above all, that huge, still spotless apron, he presented such a terrifying appearance that all of sudden they belonged to him and were only too ready to do anything he asked them, almost knocking one another down in their efforts to please him.
AIDS in French Culture: Social Ills, Literary Cures by David Caron